Saving Private Ramos: Ken Burns' World War II Documentary Continues to Incite Latino Protest
New America Media, News Analysis, Roberto Lovato, Posted: Sep 21, 2007
Eighty-seven year-old Carlos Alvarez remembers his first experience of
war, when he dodged the bullets of Japanese gunners and airplanes in
the Philippine jungles during World War II. Now, 60-plus years later,
he’s on the front lines of a media war pitting grassroots Latino groups
against the multimillion-dollar guns of PBS, its corporate sponsors and
legendary filmmaker, Ken Burns.
Since learning that The War
initially excluded him and the more than 500,000 other Latinos who
fought, were injured or died in World War II, Alvarez says he was
“upset but not surprised” by what he calls “Mr. Burns negligence for
omitting the Hispanic WW II experience.” Rather than fume about it, he
and other friends in Brawley, CA collected money and took out a full
page ad in their local newspaper. The former Private First Class, in
the Army’s 7Th Cavalry’s Troop G, hopes that his campaign will “make
people think and realize World War II was not fought and won solely by
white males.”
Though “The War” now includes 28 minutes of footage of two Latino
veterans, most major leaders of Latino organizations, members of the
Congressional Hispanic Congress and a constellation of grassroots
groups across the country remain dissatisfied. Different groups with
different agendas have organized a number of activities to show
dissatisfaction including protests, forums and possibly even boycotts
of PBS and their corporate sponsors Anheuser Busch, General Motors and
Bank of America.
Burns and PBS have been embroiled in the “War” controversy since early
March, when UT Austin scholar Maggie Rodriguez and several other Latino
leaders discovered that the film excluded Latino vets. After an initial
March 6th meeting between activists, PBS CEO Paula Keiger and
advertising executive Lionel Sosa (a PBS board member and former chief
Latino strategist to Ronald Reagan and Karl Rove), Rodriguez and
several other Latino leaders organized the “Defend the Honor” (DTH)
campaign. After initially agreeing to some of the demands of DTH, Burns
– who was not in the initial meeting – held a separate meeting in May
with two other Latino groups, the American GI Forum (AGIF) and the
Hispanic Association on Corporate Responsibility (HACR) and eventually
reached an agreement about the film. Asked if any groups besides AGIF
and HACR had been part of their consultations, both PBS national and
local affiliates contacted said no.
Burns, PBS and their supporters are now on the offensive. In addition
to making Latinos a visible part of their unprecedented $10 million
marketing campaign for the film, they have also heavily promoted the
deal struck with AGIF and HACR. The PBS local affiliate (national
office representatives did not return calls requesting an interview) in
Orange County said that “the vast majority of concerned groups and
individuals have found the PBS response and additional materials
produced for the series to be a good solution to the matter” while
noting that “there are still a couple of fringe groups who refuse to be
satisfied.” Burns went on the attack during a speech at the National
Press Club, saying that no Latinos came forward when he put out the
call for war stories in the four towns spotlighted in the film: Mobile,
Ala., Luverne, Minn., Waterbury, Conn., and Sacramento, Calif. Burns
also stated that no one came forward to provide him with databases and
other archival material about Latinos for the film.
In response, DTH leaders point out that the filmmakers selected sites
with miniscule Latin populations: Latinos in Luverne make up 1.56
percent of the population and 1.42 percent of Mobile, and only
outreached in those sites with higher Latino representation –
Sacramento’s Latino population is 15 percent and Westbury’s is 21.7
percent – after the DHS campaign forced PBS and Burns to hire filmmaker
Hector Galán
in April. The interviews included in the film came from Los Angeles,
which along with San Antonio, is home to the overwhelming majority of
Latino WWII veterans.
As they prepare to launch rallies, protests, forums and other
activities criticizing the film, Rodriguez and her colleagues say that
PBS and Burns’ response is actually helping shape the Latino civil
rights tradition that began when veterans returned to fight
discrimination they found following WWII, a tradition that led to the
establishment of most major Latino civil rights organizations. Says
Rodriguez, “History tells us that whenever civil rights groups demand
their rights, the inevitable response is that they are called 'fringe'
and 'deviant.' "
For his part, Alvarez also said he would continue to the fight to
remind people about Latinos who did fight in the war. “Even though we
were treated as second class citizens [and worse] we served, fought,
bled and died to free countries occupied by the enemy powers and to
ensure this country remained free. Yet our contributions and sacrifices
remain largely unknown or ignored by most of our fellow citizens.
Perhaps my little statement will open a few eyes.”
Related Stories:
Univision Debate Reveals the Power of Latino Migrants, Media and Voters
Melting Down the American Dream
Elvira Arellano Protests from Mexico




Post Your Comments
Disclaimer: Comments do not necessarily reflect the views of New America Media. NAM reserves the right to edit or delete comments. Once published, comments are visible to search engines and will remain in their archives. If you do not want your identity connected to comments on this site, please refrain from commenting or use a handle or alias instead of your real name.