Francisco Alvarado was born in South Texas but
deported, with his wife and two children, during the
so-called Mexican Repatriations of the 1930s. During World
War II, however, he received a draft notice at his old
Texas address, which was forwarded to him in Mexico.
Not only did Alvarado answer the call, but he was sent
to Normandy and taken prisoner by the Germans. After he
returned home, 10 of his 12 children went on to serve in
the U.S. military.
It's hard to imagine a more eye- opening story,
especially when the contributions of Mexicans to this
country are often drowned out by those favoring mass
deportations of undocumented workers.
Yet neither Alvarado's story nor any like it will
be an integral part of the long-awaited documentary by
Ken Burns about World War II that PBS begins airing at 8
p.m. EDT.
Six years in the making, "The War" is in
seven parts, 16 hours in all, and is destined to become
the definitive documentary about the defining historical
event of the 20th century.
But the original script failed to tell even one story
about the role Latinos played in the war.
Maggie Rivas-Rodriguez, a journalism professor at the
University of Texas who has been working on the U.S.
Latino & Latina WWII Oral History Project, who related
Alvarado's story, has been campaigning to get Burns to
revise the documentary.
She helped form the "Defend the Honor"
campaign, and with other advocacy groups and the
Congressional Hispanic Caucus, got Burns to acknowledge
his omission and agree to include new material. The
concessions did not come easy -- both Burns and PBS
president Paula Kerger expressed reservations about
changing the film, saying it would interfere with his
"artistic freedom."
The agreement to include new material was announced on
April 17 of this year, when Burns said new material
about Latinos would be incorporated "seamlessly"
into the documentary. But three weeks later, it was
announced that the 28 minutes of material, including
references to two Mexican-Americans and one Native American
veteran, would be shown within the closing credits.
A recent review of the film in Current, a newspaper
about public broadcasting in the U.S., said that the
14-minute segment about two Mexican-American Marines was
appended to the first hour of "The War,"
"after what was clearly in tended as the
program-closer." The Mexican-Americans only come into
view after Norah Jones sings "American Anthem"
and the screen fades to black.